In Which We Wanted To Hold On To The Feeling

Be My Husband

by DICK CHENEY

Outlander
creator Ronald D. Moore

rs_1024x683-160301081916-1024.outlander-key-art-season-2.ch.030116.jpgThis weekend’s premiere of Outlander was the most fun I have had in years. Claire (Caitriona Balfe) returned from her time in Scotland during the mid-18th century and she was cranky as hell. The noise of airplanes and cars was absolutely disgusting to her, and she was astonished by the fashions of the 1948 season. After showing up in the middle of the street, she screamed at a passerby in order to find out who won World War II. Perhaps not surprisingly, she was left unsatisfied by the answer.

It got better from here. The husband she left behind in 1743 had a big penis (shockingly large IIRC) and impregnated her. So she tells her 1948 husband this, and at first he is all happy. Then you see his expression crumple as he realizes a number of key things: (1) he is sterile and (2) he is not the father of this child. His next move was most amusing: he balled up his fist like he was going to smash Claire’s face in and looms over her. He backed off, but what a moment! I love this show.

It got better from here. Frank, her 1948 husband who is this douchy professor apparently prone to striking pregnant women heads into this old workshop that his buddy, a Scottish priest, has handy, and he’s so angry that he smashes the entire place up. God Outlander is incredible; he was like this deranged guy feebly smashing boxes, and it went on for what felt like five whole minutes of just agony because his wife hadn’t recovered from her ordeal in the few days he gave her to recuperate and acknowledge he was the most important individual in the world to her.

He gets with God and then returns to his wife for more tawking. It’s obvious that she no longer cares for him. He tells her that he can give her time, but that they have to pretend the child is his. She agrees, and he burns all her old clothes. He asks her to move to Boston and she says yes to that too.

At that moment I knew this whole thing was bullshit or some kind of setup because a woman would never agree to move to Boston unless she had no other option. It got better from here. The setting shifts to France in the 1740s. Claire and her fertile ginger husband Jamie observe a man with smallpox coming in on a ship. Claire loudly shouts that she is a healer even though the man is already dead. They end up burning the entire vessel and its cargo, even though that seemed maybe somewhat excessive for one case of smallpox.

Claire is from the future, but unfortunately she knows very little about how to aid Jamie. She wants to prevent his people from being wiped out by the British, but she maybe glanced at a history textbook once ten years ago and forgot the rest. This is all well and good, but she could have aimed higher and stopped the Holocaust or the First World War. If you start actually thinking about this show it will make your head hurt.

There’s actually a lot wrong with Outlander – the performances are not the best, and the soft lens they shoot everything with makes it look like Skinemax. But who cares, the B-movie feel to the proceedings just adds a certain flair missed from other dramas. The reason Outlander is so fucking great is because it’s not afraid to go hard and be completely silly and overwrought. Most people would say a scene where a grown man flails about like a five year old just isn’t realistic, but that is the brilliance of this entire endeavor. Outlander remains unafraid.

The world is likely flush with time travelers at this very moment. Most of them are trying to prevent Trump from becoming president; a select few were sent back to blackmail the press into giving Batman v. Superman bad reviews. This was a brilliant movie with a lot of subtext, and if you did not see it, at least google the scene where Superman slips it in Lois Lane (Amy Adams) while she’s in the tub. I haven’t been that turned on since I watched two lawyers who work for Paul Giamatti have really intense sex on Billions.

Someone once asked me whether or not all the things I write in my reviews are things I really believe, or if I am just exaggerating for pageviews. Ha ha. I am always serious unless I am talking about how Shonda Rimes’ characters all talk and fuck the same. Then I am slightly tongue-in-cheek, but then again that is annoying. Especially the latter.

Outlander is my jam, but come April 24th I will be returning with my Game of Thrones reviews. I say reviews, but they will really be essais which weave in all the major events of our time: police brutality, my feelings on Ted Cruz’s wonderful wife Heidi, the troubling rise of Russia, the anti-human rights legislation passed in the state of North Carolina, how I can’t wait for Uncharted 4, and other such major news stories. I have gone on media blackout, since I want to experience it all fresh, knowing nothing, just like Terence Winter when he watches season two of Vinyl.

Dick Cheney is the senior contributor to This Recording. 

“Follow You Down” – Lights (mp3)

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