In Which We Examine The Anatomy Of Charlie Brown’s Melancholy

Happiness Is Not Funny

Excerpted from hyar, written by Patricia Cohen.

Charlie Don’t Skate: Schulz and kids in 1965

David Michaelis first contacted the family of Charles M. Schulz seven years ago about writing a biography of Schulz, the creator of the “Peanuts” comic strip. It turned out that Schulz had read Mr. Michaelis’s biography of N. C. Wyeth, and that Schulz’s son Monte also liked the writer’s work. He ended up helping persuade the rest of the Schulz clan to cooperate with Mr. Michaelis, granted full access to his father’s papers and put aside his own novel writing to help him.

Monte Schulz said that when he read Mr. Michaelis’s manuscript in December, members of the family were shocked by the portrayal of a depressed, cold and bitter man who was constantly going after different women. “It’s not true,” Monte said. “It’s preposterous.”

Charles M. Schulz, womanizing scumbag

Mr. Michaelis said that he was surprised to hear how upset some members of the family were, but that “to their children fathers are always heroes, and very few families can see beyond that paterfamilias.” After interviewing hundreds of people, going through every one of the 17,897 comic strips Schulz drew and doing extensive research, Mr. Michaelis said, “this was the man I found.”

PRIDE

Mr. Michaelis’s biography, “Schulz and Peanuts,” which HarperCollins is releasing next week, is one of the most anticipated books of the fall publishing season. Schulz’s cartoon panels are interspersed with the text, and Mr. Michaelis uses them as revelations of the artist’s emotions. “He was a complicated artist who had an inner life and embedded that inner life on the page,” Mr. Michaelis said in an interview. “His anxieties and fears brought him Lucy and the characters in ‘Peanuts.’ A normal person couldn’t have done it,” he said.

GLUTTONY

Biographers often find themselves at odds with the friends and families of their subjects. Clearly a loved one is not necessarily objective, a family may want to protect a reputation or may be unaware of hidden events or aspects of someone’s character. Janet Malcolm, in a well-known provocative essay, offered another analysis, describing the relationship between a journalist and a subject as innately deceptive and the journalist as “kind of a confidence man.” Elements of all these explanations have been invoked.

Jean Schulz, Charles’ second wife, said she read about three-quarters of Mr. Michaelis’s third draft. She didn’t disagree that her husband, whom friends called Sparky, was “melancholy,” but she said that was only part of the story: “It’s not a full portrait. Sparky was so much more. Most of the time he loved to laugh.

“Part of what puzzles people about Sparky was that he talked about the actual physical sensation that he had from being anxious, the ‘sense of dread’ when he got up in the morning. But he had a Buddhist acceptance of life and its ups and downs. He functioned perfectly well.

SLOTH

“David couldn’t put everything in,” she said, but added, “I think Sparky’s melancholy and his dysfunctional first marriage are more interesting to talk about than 25 years of happiness.” She quoted her husband’s frequent response to why Charlie Brown never got to kick the football: “Happiness is not funny.”

What particularly disturbed her, she said, were Mr. Michaelis’s judgments. “Every artist has to take a point of view,” she said, “but if David is going to say that Sparky is a consistently mean man, then you need to back it up.”

Monte Schulz said his mother, Joyce Doty, was very upset at being portrayed as overbearing and shrewish. Reached at her home in Hawaii, she said, “I am not talking to anybody about anything.” Meredith Hodges, who grew up as one of Schulz’s five children, only discovered as an adult that he was not her biological father. She describes him in the book as “cold,” “distant” and “afraid to love,” and she wrote in an e-mail message, “No comment.”

LUST

Mr. Michaelis in his biography describes Schulz as extremely generous, devoted to his children, modest and funny, and Joyce as energetic, capable and vibrant, but those traits do not get nearly as much space.

Amy Schulz Johnson, who described Schulz as “the most amazing Christ-like father,” complained that Mr. Michaelis played up the negative and left out the positive. “We all got deceived,” she said. Still, Jean Schulz is sympathetic to the notion of a writer’s or artist’s creative vision, pointing to her own husband. “David is writing this for himself,” she said. “He’s got to be satisfied.”

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Molly Lambert is Senior Editor of This Recording. The Peanuts Christmas Special always makes her cry.